SHINee’s Key announces new dates for ‘KEYLAND: Uncanny Valley’ tour

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SHINee’s Key announces new dates for ‘KEYLAND: Uncanny Valley’ tour

SHINee‘s Key has announced a new North American leg of his ‘KEYLAND: Uncanny Valley’ tour – see the full list of dates and venue details below.

Earlier this week, SM Entertainment and the SHINee member took to social media to announce the new dates.

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The North American trek is due to kick off this December, and will see the K-pop superstar performing six shows in under two weeks. The tour will being in Los Angeles at the Orpheum Theatre, followed by a stop at the iconic Paramount Theatre in Oakland. Next, he’ll take on the Will Rogers Auditorium in Dallas, followed by the Kings Theatre in Brooklyn.

His final two North American dates will see him perform in Chicago at the Riviera Theatre and Seattle at the Moore Theatre.

Key’s ‘KEYLAND: Uncanny Valley’ 2025 North American tour dates are:

DECEMBER 2025
03 – Los Angeles, CA – Orpheum Theatre
05 – Oakland, CA – Paramount Theatre
08 – Dallas/Ft. Worth, TX – Will Rogers Auditorium
10 – Brooklyn, NY – Kings Theatre
13 – Chicago, IL – Riviera Theatre
15 – Seattle, WA – Moore Theatre

Ticketing details have yet to be announced. Stay tuned to NME for more information.

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Prior to the North American trek, Key will be kicking off the tour with a three-show run in Seoul in September. He’ll then perform in Taipei, Singapore and Tokyo in October.

Key’s latest album ‘Hunter’ scored a glowing five-star review from NME, with Carmen Chin writing: “The only gripe to be had with ‘Hunter’ is its brief runtime, with its longest song clocking in a little over the three-minute mark. But that speaks less to this particular album than it does to a broader industry trend that favours TikTok-friendly brevity. Instead, what stands out is an incredibly taut and cohesive artistic vision – both musically and visually – as one of the most exciting releases out of Korea this year. Key may have unparalleled experience as an idol, but on ‘Hunter’ he makes a strong argument for his case as the next pop disruptor.”

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